(Boylove Documentary Sourcebook) - The Age Range for Young Male Beloveds as Given in 'Alcibiades the Schoolboy' by Antonio Rocco: Difference between revisions

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The judiciary evidence on the prevalence of relations between adult men and boys also corresponds closely to literary representations of the period. Virtually all of the contemporary novelle on homoerotic themes, from Boccaccio on, feature the love of mature youths or men for adolescents or young <i>garzoni</i>. Probably the best-known apology for [[pederasty]] in early modern Italy, [[Alcibiades the Schoolboy (book)|<i>L’Alcibiade fanciullo a scola</i>]], revolves around the persistent courting of a handsome fourteen-year-old boy, Alcibiade, by his schoolmaster, Filotimo. Filotimo instructs his protégé that the proper object of male homoerotic desire is boys (<i>l’amor maschio è fanciullo</i>) and he roundly condemns men who seek out sex with other adult males as “rebels of love, men of brutish and corrupted senses”. Asked by Alcibiade at what age boys are best enjoyed sexually by men, he says they are ideally between the ages of nine and eighteen, “although there is no fixed rule, since some retain their boyishness longer, and others fade early, just as some full, round little boys excite you from infancy on.”
The judiciary evidence on the prevalence of relations between adult men and boys also corresponds closely to literary representations of the period. Virtually all of the contemporary novelle on homoerotic themes, from Boccaccio on, feature the love of mature youths or men for adolescents or young <i>garzoni</i>. Probably the best-known apology for [[pederasty]] in early modern Italy, [[Alcibiades the Schoolboy (book)|<i>L’Alcibiade fanciullo a scola</i>]], revolves around the persistent courting of a handsome fourteen-year-old boy, Alcibiade, by his schoolmaster, Filotimo. Filotimo instructs his protégé that the proper object of male homoerotic desire is boys (<i>l’amor maschio è fanciullo</i>) and he roundly condemns men who seek out sex with other adult males as “rebels of love, men of brutish and corrupted senses”. Asked by Alcibiade at what age boys are best enjoyed sexually by men, he says they are ideally between the ages of nine and eighteen, “although there is no fixed rule, since some retain their boyishness longer, and others fade early, just as some full, round little boys excite you from infancy on.”
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[[File:Man Holding a Flower Leads a Hare While Courting Boy.png|thumb|center|Man Holding a Flower Leads a Hare While Courting Boy. Attic red-figure cup by Makron, c. 480 B.C. Paris, Musée du Louvre, G 141.]]


==External Links==
==External Links==

Revision as of 21:07, 9 February 2018

Amor Vincit Omnia (c. 1601) by Caravaggio. Oil on canvas, 156.5 × 113.3 cm (Berlin, Germany: Gemäldegalerie).


From Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence by Michael Rocke (Oxford; New York: Oxford University Press, 1996).

The judiciary evidence on the prevalence of relations between adult men and boys also corresponds closely to literary representations of the period. Virtually all of the contemporary novelle on homoerotic themes, from Boccaccio on, feature the love of mature youths or men for adolescents or young garzoni. Probably the best-known apology for pederasty in early modern Italy, L’Alcibiade fanciullo a scola, revolves around the persistent courting of a handsome fourteen-year-old boy, Alcibiade, by his schoolmaster, Filotimo. Filotimo instructs his protégé that the proper object of male homoerotic desire is boys (l’amor maschio è fanciullo) and he roundly condemns men who seek out sex with other adult males as “rebels of love, men of brutish and corrupted senses”. Asked by Alcibiade at what age boys are best enjoyed sexually by men, he says they are ideally between the ages of nine and eighteen, “although there is no fixed rule, since some retain their boyishness longer, and others fade early, just as some full, round little boys excite you from infancy on.”


Man Holding a Flower Leads a Hare While Courting Boy. Attic red-figure cup by Makron, c. 480 B.C. Paris, Musée du Louvre, G 141.

External Links