The Oath of Spartacus (Louis-Ernest Barrias): Difference between revisions
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"' The oath of Spartacus"' is a | "' The oath of Spartacus"' is a marble sculpture by "'[[Louis-Ernest Barrias]]"', from between 1869 and 1871 based on a plaster piece by the same artist. Since 1975, it can be viewed in Le Jardin des Tuileries. [[Paris]]. | ||
Revision as of 15:01, 4 January 2013
"' The oath of Spartacus"' is a marble sculpture by "'Louis-Ernest Barrias"', from between 1869 and 1871 based on a plaster piece by the same artist. Since 1975, it can be viewed in Le Jardin des Tuileries. Paris.
Description
This sculpture depicts a dying man attached to the remains of a tree on which he was crucified. His left arm and his head rests on a young boy standing at his side. This last, the abundant hair and determined look, shakes in his right hand a knife while his left hand (damaged) affectionately holds two fingers of the hand of the torment.
The title suggests that this is young Spartacus, vowing to avenge this man in his last moments. Within the Empire, the Crucifixion was a punishment reserved for those who were not Roman citizenship, most often slaves or robbers or pirates, sometimes prisoners of war, or condemned for political reasons. In any event, this poignant scene is actually completely imaginary: indeed, we know nothing of childhood the young Thracian, who around the age of thirty years, between73 and 71BC., would shaking the Roman power in the worst slave revolt that it had to face.
Analysis
The strength of the work is the contrast between how sweet and loving boy who stands against the man and displayed determination. There a lot of tenderness in his way as a child two fingers of the left hand of the man, almost dragging his left shoulder under the powerful arms collapsing and rest his right arm through the legs of the man... At the same time, his head slightly forward shows looking determined and hard, pointed out by pinched lips and shadow project bits from his forehead. In the same way, the way to hold the knife, the blade toward the back of the hand to move from top to bottom, like divine justice, leaves no doubt about its intentions: it will avenge the man for which he feels tenderness and who is dying at his side.
See also
= Related articles.