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[[File:800px-Symposiumnorthwall.jpg|thumb|400px|'''Symposium scene'''<br> | In [[ancient Greece]], the '''symposium''' (plural symposia) (συμπόσιον) ''symposion'', from συμπίνειν ''sympinein'', "to drink together") was a drinking party, often held in the [[Andron]].<ref name=garnsey>Peter Garnsey, ''Food and Society in Classical Antiquity'' (Cambridge University Press, 1999), p. 136 [http://books.google.com/books?id=iFSPK9dWqQgC&pg=PA136&dq=convivium+symposium&cd=1#v=onepage&q=convivium%20symposium&f=false online]; Sara Elise Phang, ''Roman Military Service: Ideologies of Discipline in the Late Republic and Early Principate'' (Cambridge University Press, 2008), pp. 263–264.</ref> Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's ''Symposium'' and Xenophon's ''Symposium'', as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes.<ref name=garnsey/> | ||
(Fresco from the Tomb of the Diver, 475 BC)<br> | [[File:800px-Symposiumnorthwall.jpg|thumb|400px|<center>'''Symposium scene'''<br> | ||
(Fresco from the [[Tomb of the Diver]], 475 BC)<br> | |||
Paestum National Museum, Italy<br> | Paestum National Museum, Italy<br> | ||
Five symposiasts are shown reclining on couches: the first is calling the symposiarch to refill his cup, the second is playing kottabos, the third is calling to the fourth and fifth figures | Five [[Symposiasts (dictionary)|symposiasts]] are shown reclining on couches: the first is calling the [[Symposiarch (dictionary)|symposiarch]] to refill his cup, the second is playing [[kottabos]], the third is calling to the fourth and fifth figures.</center>]] | ||
<br> | |||
==Setting and social occasion== | ==Setting and social occasion== | ||
The Greek symposium was a key Hellenic social institution. It was a forum for men of good family to debate, plot, boast, or simply to revel with others. They were frequently held to celebrate the introduction of young men into aristocratic society. Symposia were also held by aristocrats to celebrate other special occasions, such as victories in athletic and poetic contests. They were a source of pride for them. | {{History}}The Greek symposium was a key Hellenic social institution. It was a forum for men of good family to debate, plot, boast, or simply to revel with others. They were frequently held to celebrate the introduction of young men into aristocratic society. Symposia were also held by aristocrats to celebrate other special occasions, such as victories in athletic and poetic contests. They were a source of pride for them. | ||
Symposia were usually held in the ''[[Andron|andrōn]]'' (ἀνδρών), the men's quarters of the household. The participants, or "symposiasts", would recline on pillowed | Symposia were usually held in the ''[[Andron|andrōn]]'' (ἀνδρών), the men's quarters of the household. The participants, or "[[symposiasts]]", would recline on pillowed couches arrayed against the three walls of the room away from the door. Due to space limitations the couches would number between seven and nine, limiting the total number of participants to somewhere between fourteen and twenty seven<ref>Literature in the Greek World By Oliver Taplin; p 47</ref> (Oswyn Murray gives a figure of between seven and fifteen couches and reckons fourteen to thirty participants a "standard size for a drinking group").<ref>The Oxford Companion to Classical Civilization (ed. Hornblower & Spawforth), pp. 696-7</ref> If any young men took part they did not recline but sat up.<ref>Xenophon, "Symposium" 1.8</ref> However, in Macedonian symposia the focus was not only on drinking but hunting, and young men were allowed to recline only after they had killed their first wild boar. | ||
Food and wine were served. Entertainment was provided, and depending on the occasion could include games, songs, flute-girls or boys, slaves performing various acts, and hired entertainment. | Food and wine were served. Entertainment was provided, and depending on the occasion could include games, songs, flute-girls or boys, slaves performing various acts, and hired entertainment. | ||
Symposia often were held for specific occasions. The most famous symposium of all, described in | Symposia often were held for specific occasions. The most famous symposium of all, described in Plato's dialogue of that name (and rather differently in Xenophon's) was hosted by the poet Agathon on the occasion of his first victory at the theater contest of the 416 BC [[Dionysia]]. According to Plato's account, the celebration was upstaged by the unexpected entrance of the toast of the town, the young [[Alcibiades]], dropping in drunken and nearly naked, having just left another symposium. | ||
The men apart of the symposium would discuss a multitude of topics—from philosophy to love and the differences between genders. | The men apart of the symposium would discuss a multitude of topics—from philosophy to love and the differences between genders. | ||
==Drinking== | ==Drinking== | ||
[[File:Tomb of the Diver symposium.jpg|thumb|left|250px|<center>''[[Erastes]]'' and ''[[eromenos]]'' in a [[symposium]] scene from the [[Tomb of the Diver]] in Paestum (North wall - detail)</center>]] | |||
A symposium would be overseen by a "symposiarch" who would decide how strong the wine for the evening would be, depending on whether serious discussions or merely sensual indulgence were in the offing. The Greeks and Romans customarily served their wine mixed with water, as the drinking of pure wine was considered a habit of | A symposium would be overseen by a "[[symposiarch]]" who would decide how strong the wine for the evening would be, depending on whether serious discussions or merely sensual indulgence were in the offing. The Greeks and Romans customarily served their wine mixed with water, as the drinking of pure wine was considered a habit of uncivilized peoples. However, there were major differences between the Roman and Greek symposiums. A Roman symposium served wine before, with and after food was served, and women were allowed to join. In a Greek symposium, wine was only drunk after dinner, and women were not allowed to attend.<ref>{{cite book|last1=Gately|first1=Iain|title=Drink: A Cultural History Of Alcohol|date=2008|publisher=Penguin Group|location=New York|isbn=978-1-592-40464-3|page=32}}</ref>The wine was drawn from a ''[[krater]]'', a large jar designed to be carried by two men, and served from pitchers ''([[oenochoe]])''. Certain formalities were observed, most important among which were [[libation]]s, the pouring of a small amount of wine in honour of various deities or the mourned dead. | ||
In a fragment from his c. 375 BC play ''Semele or Dionysus'', [[Eubulus (poet)|Eubulus]] has the god of wine [[Dionysos]] describe proper and improper drinking: | In a fragment from his c. 375 BC play ''Semele or Dionysus'', [[Eubulus (poet)|Eubulus]] has the god of wine [[Dionysos]] describe proper and improper drinking: | ||
| Line 26: | Line 30: | ||
For sensible men I prepare only three kraters: one for health (which they drink first), the second for love and pleasure, and the third for sleep. After the third one is drained, wise men go home. The fourth krater is not mine any more - it belongs to bad behaviour; the fifth is for shouting; the sixth is for rudeness and insults; the seventh is for fights; the eighth is for breaking the furniture; the ninth is for depression; the tenth is for madness and unconsciousness. | For sensible men I prepare only three kraters: one for health (which they drink first), the second for love and pleasure, and the third for sleep. After the third one is drained, wise men go home. The fourth krater is not mine any more - it belongs to bad behaviour; the fifth is for shouting; the sixth is for rudeness and insults; the seventh is for fights; the eighth is for breaking the furniture; the ninth is for depression; the tenth is for madness and unconsciousness. | ||
</blockquote> | </blockquote> | ||
In keeping with the Greek virtue of moderation, the symposiarch should have prevented festivities from getting out of hand, but Greek literature and art often indicate that the third-krater limit was not observed. | In keeping with the Greek virtue of moderation, the symposiarch should have prevented festivities from getting out of hand, but Greek literature and art often indicate that the third-krater limit was not observed. | ||
==Pottery== | ==Pottery== | ||
Symposiums often featured on Attic pottery and Richard Neer has argued that the chief function of Attic pottery was for use in the symposium.<ref> | Symposiums often featured on Attic pottery and Richard Neer has argued that the chief function of Attic pottery was for use in the symposium.<ref>Richard T. Neer (2002) ''Style and politics in Athenian vase-painting: The craft of democracy, ca. 530-460 B.C.E.''. Cambridge: Cambridge University Press, p. 9. ISBN 0521791111</ref> | ||
{| | |||
|[[File:DOURIS -480c Man reclining and youth playing the aulos (Munich 2646) 2127x2014.jpg|200px|thumb|left|'''Symposium scene'''. Douris, red-figure [[kylix]], ca. 480 BC. From Vulci.]] | |||
[[Image:BRISEIS PAINTER -480c Man kissing a boy (Louvre G278) 2240x2180.jpg|200px|thumb|right|[[Kiss (Briseis Painter)|Greek Cup]], ([[Kylix]]), Briseis Painter, Louvre, Paris ca. 480 BC]] | |||
|- | |||
|[[File:606px-Metropolitan kylix - Man bargaining for sex.jpg|200px|thumb|left| Man soliciting boy for sex in exchange for a purse containing coins. – Athens, 5th century BCE]] | |||
[[File:BRYGOS PAINTER -475c Man fondling a boy at the palaestra (Ashmolean Museum 1967.304).jpg|200px|thumb|right|Pederastic scene at the [[palaestra]]: man and youth about to make love. ca.480–470 BC.]] | |||
|} | |||
{{clr}} | {{clr}} | ||
==Entertainments== | ==Entertainments== | ||
[[File: | [[File:Symposium.png|thumb|350px|left|Symposium. Attic red-figure cup by Douris, c. 485 BCE. London, British Museum, E49.]] | ||
Poetry and music were central to the pleasures of the symposium. Although free women of status did not attend symposia, high-class female prostitutes ''( | |||
Poetry and music were central to the pleasures of the symposium. Slaves and boys provided service and entertainment. Although free women of status did not attend symposia, high-class female prostitutes ''(hetairai)'' and other entertainers (musicians and orators) were sometimes hired to perform, consort, and converse with the guests. Among the instruments that might be played was the ''aulos'', a Greek woodwind instrument sometimes compared to an oboe. When string instruments were played, the ''barbiton'' was the traditional instrument.<ref>{{cite web|url=http://ccat.sas.upenn.edu/bmcr/2004/2004-09-16.html |title=Bryn Mawr Classical Review 2004.09.16 of Alessandro Iannucci, La Parola e l'Azione: I Frammenti Simposiali di Crizia. Bologna: Edizioni Nautilus, 2002 |publisher=Ccat.sas.upenn.edu |date= |accessdate=2012-08-19}}</ref> | |||
The guests also participated actively in competitive entertainments. A game sometimes played at symposia was ''[[kottabos]]'', in which players swirled the dregs of their wine in a [[ | The guests also participated actively in competitive entertainments. A game sometimes played at symposia was ''[[kottabos]]'', in which players swirled the dregs of their wine in a [[kylix]], a platter-like stemmed drinking vessel, and flung them at a target. Another feature of the symposia were [[Skolion|skolia]], drinking songs of a patriotic or bawdy nature, performed competitively with one symposiast reciting the first part of a song and another expected to improvise the end of it. Symposiasts might also compete in rhetorical contests, for which reason the word "symposium" has come to refer in English to any event where multiple speeches are made. | ||
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==Exturnal links== | ==Exturnal links== | ||
*[http://en.wikipedia.org/wiki/Symposium Symposium ( | *[http://en.wikipedia.org/wiki/Symposium Symposium (Wikipedia)] | ||
* [http://www.thefullwiki.org/Symposium Symposium (the full wiki)] | * [http://www.thefullwiki.org/Symposium Symposium (the full wiki)] | ||
{{Navbox Ancient Greece}} | |||
[[Category:Ancient Greece]] | [[Category:Ancient Greece]] | ||
Latest revision as of 23:50, 2 July 2022
In ancient Greece, the symposium (plural symposia) (συμπόσιον) symposion, from συμπίνειν sympinein, "to drink together") was a drinking party, often held in the Andron.[1] Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's Symposium and Xenophon's Symposium, as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes.[1]
(Fresco from the Tomb of the Diver, 475 BC)
Paestum National Museum, Italy
Five symposiasts are shown reclining on couches: the first is calling the symposiarch to refill his cup, the second is playing kottabos, the third is calling to the fourth and fifth figures.
Setting and social occasion
The Greek symposium was a key Hellenic social institution. It was a forum for men of good family to debate, plot, boast, or simply to revel with others. They were frequently held to celebrate the introduction of young men into aristocratic society. Symposia were also held by aristocrats to celebrate other special occasions, such as victories in athletic and poetic contests. They were a source of pride for them.
Symposia were usually held in the andrōn (ἀνδρών), the men's quarters of the household. The participants, or "symposiasts", would recline on pillowed couches arrayed against the three walls of the room away from the door. Due to space limitations the couches would number between seven and nine, limiting the total number of participants to somewhere between fourteen and twenty seven[2] (Oswyn Murray gives a figure of between seven and fifteen couches and reckons fourteen to thirty participants a "standard size for a drinking group").[3] If any young men took part they did not recline but sat up.[4] However, in Macedonian symposia the focus was not only on drinking but hunting, and young men were allowed to recline only after they had killed their first wild boar.
Food and wine were served. Entertainment was provided, and depending on the occasion could include games, songs, flute-girls or boys, slaves performing various acts, and hired entertainment.
Symposia often were held for specific occasions. The most famous symposium of all, described in Plato's dialogue of that name (and rather differently in Xenophon's) was hosted by the poet Agathon on the occasion of his first victory at the theater contest of the 416 BC Dionysia. According to Plato's account, the celebration was upstaged by the unexpected entrance of the toast of the town, the young Alcibiades, dropping in drunken and nearly naked, having just left another symposium.
The men apart of the symposium would discuss a multitude of topics—from philosophy to love and the differences between genders.
Drinking
A symposium would be overseen by a "symposiarch" who would decide how strong the wine for the evening would be, depending on whether serious discussions or merely sensual indulgence were in the offing. The Greeks and Romans customarily served their wine mixed with water, as the drinking of pure wine was considered a habit of uncivilized peoples. However, there were major differences between the Roman and Greek symposiums. A Roman symposium served wine before, with and after food was served, and women were allowed to join. In a Greek symposium, wine was only drunk after dinner, and women were not allowed to attend.[5]The wine was drawn from a krater, a large jar designed to be carried by two men, and served from pitchers (oenochoe). Certain formalities were observed, most important among which were libations, the pouring of a small amount of wine in honour of various deities or the mourned dead.
In a fragment from his c. 375 BC play Semele or Dionysus, Eubulus has the god of wine Dionysos describe proper and improper drinking:
For sensible men I prepare only three kraters: one for health (which they drink first), the second for love and pleasure, and the third for sleep. After the third one is drained, wise men go home. The fourth krater is not mine any more - it belongs to bad behaviour; the fifth is for shouting; the sixth is for rudeness and insults; the seventh is for fights; the eighth is for breaking the furniture; the ninth is for depression; the tenth is for madness and unconsciousness.
In keeping with the Greek virtue of moderation, the symposiarch should have prevented festivities from getting out of hand, but Greek literature and art often indicate that the third-krater limit was not observed.
Pottery
Symposiums often featured on Attic pottery and Richard Neer has argued that the chief function of Attic pottery was for use in the symposium.[6]
_2127x2014.jpg) _2240x2180.jpg) |
 .jpg) |
Entertainments
Poetry and music were central to the pleasures of the symposium. Slaves and boys provided service and entertainment. Although free women of status did not attend symposia, high-class female prostitutes (hetairai) and other entertainers (musicians and orators) were sometimes hired to perform, consort, and converse with the guests. Among the instruments that might be played was the aulos, a Greek woodwind instrument sometimes compared to an oboe. When string instruments were played, the barbiton was the traditional instrument.[7]
The guests also participated actively in competitive entertainments. A game sometimes played at symposia was kottabos, in which players swirled the dregs of their wine in a kylix, a platter-like stemmed drinking vessel, and flung them at a target. Another feature of the symposia were skolia, drinking songs of a patriotic or bawdy nature, performed competitively with one symposiast reciting the first part of a song and another expected to improvise the end of it. Symposiasts might also compete in rhetorical contests, for which reason the word "symposium" has come to refer in English to any event where multiple speeches are made.
Etruscan and Roman drinking parties
Etruscan art shows scenes of banqueting that recall aspects of the Greek symposia; however, one major difference is that women of status participated more fully in this as in other realms of Etruscan society.
As with many other Greek customs, the aesthetic framework of the symposium was adopted by the Romans under the name of comissatio. These revels also involved the drinking of assigned quantities of wine, and the oversight of a master of the ceremonies appointed for the occasion from among the guests. Another Roman version of the symposium was the convivium.
References
- ↑ 1.0 1.1 Peter Garnsey, Food and Society in Classical Antiquity (Cambridge University Press, 1999), p. 136 online; Sara Elise Phang, Roman Military Service: Ideologies of Discipline in the Late Republic and Early Principate (Cambridge University Press, 2008), pp. 263–264.
- ↑ Literature in the Greek World By Oliver Taplin; p 47
- ↑ The Oxford Companion to Classical Civilization (ed. Hornblower & Spawforth), pp. 696-7
- ↑ Xenophon, "Symposium" 1.8
- ↑ Gately, Iain (2008). Drink: A Cultural History Of Alcohol. New York: Penguin Group. p. 32. ISBN 978-1-592-40464-3.
- ↑ Richard T. Neer (2002) Style and politics in Athenian vase-painting: The craft of democracy, ca. 530-460 B.C.E.. Cambridge: Cambridge University Press, p. 9. ISBN 0521791111
- ↑ Bryn Mawr Classical Review 2004.09.16 of Alessandro Iannucci, La Parola e l'Azione: I Frammenti Simposiali di Crizia. Bologna: Edizioni Nautilus, 2002. Ccat.sas.upenn.edu. Retrieved on 2012-08-19.
Exturnal links
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